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POWERFUL PEOPLE: AN EXCLUSIVE CONVERSATION ABOUT HARMONISING CREATIVITY

Working with Dhruv Ghanekar on the background score for my film White Noise (2005), produced by Mozez Singh and Sevy Ali, was a powerful experi...

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BOLLYWOOD: THE ENIGMATIC CINEMA OF THE 1980s

It’s easy that calling the 1980s the worst decade for films and music might be a conveniently casual remark for those who do not want to ...

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AMIT KHANNA’S JOURNEY AS A LYRICIST

 

Shantanu Ray Chaudhuri goes past many of Amit Khanna’s talents and brings fo...

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HRISHIKESH MUKHERJEE: THE EVERYMAN FILMMAKER

Hrishikesh Mukherjee passed away at the age of 83 on 27th August 2006. On his 17th death anniversary Shantanu Ray...

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Dr SUCHETAN PRADHAN: THE CULTURE BEHIND DENTISTRY

I am in conversation with one of India’s best known practicing dentists: an implant aesthetic and laser dentist, writes Aparajita...

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CHINTOO SINGH WASIR: CENTERSTAGE AS SUFI SINGER & MUSICIAN

In the world of contemporary Indian music Chintoo Singh Wasir has emerged from being behind the instruments to centerstage with his Sufi music,...

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RHYTHM’S CHOSEN CHILD

Here Sharada Ramanathan goes back and forth in time to understand the towering Tabla maestro Ustad Zakir Hussain’s geniu...

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The Filmfare Awards: Nothing ‘Fair’ About It

The history of these prestigious awards is a sorry saga of favouritism and cronyism that has deprived deserving candidates time and again. Read More

LET THERE BE MUSIC

Khalid Mohamed replays a rare interview with Mani Ratnam on the director’s start-off collaborations with the then-freshe...

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ILA ARUN: GIVING VOICE TO LIFE

Ila Arun is a woman of many parts and one who is in command of all of them. She has a contagious zest for life, writes Aparajita Krishna <...

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