GENDER: HOW PATRIARCHY SILENCES RESISTANCE

Patriarchy persists by co-opting privileged voices, masking systemic exploitation in industries like film and policy. Triggered by a panel disc...

ALTERNATIVE ENTERTAINMENT: MITA VASHISHT - TRANSPORTED

"Mita Vashisht, the acclaimed NSD alumna, returns to her alma mater after 29 years, directing Chekov's 'Three Sisters' while reflecting on her ...

MOVIES: URBAN TALE OF CASTE BIASES

Prithvi Konanur's 2023 release, "Hadinelenthu", masterfully unveils the deep-rooted caste biases within the educational system and beyond, writ...

ALLOW CHILDREN TO WATCH FILMS AT FILM FESTIVALS

12-year-old Kaurwakee Vasistha questions the business in which children are employed to perform and be a part of practically e...

DR BRIJESHWAR SINGH’S CALENDAR YEAR

Aparajita Krishna interviews Dr Brijeshwar Singh, one of the best known orthopaedic surgeons of Uttar Pradesh and understands ...

PAST IS MY MASTER AND EVENING MY DAWN: VINAY SHUKLA

His film-work has been artistically selective and also across-genres, fairly mainstream, writes Aparajita Krishna.

Read More

STARFARE-FILMDUST: A Flashback

Aparajita Krishna recalls the magical times of film magazines and the gossip about film stars they carried, through the voices...

Our Film Festivals: Tamashas or reality checks

Monojit Lahiri investigates whether our film festivals are arty time-pass or educative game changers.  <...

The Indian ‘New Wave’ for the Millennial

Even though I use a lot of close ups, “Once upon a time, long, long ago…” should be the tone and tenor of this account from ...