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A Requiem For Mayfair Cinema

English movies which essentially meant Hollywood films (Hollywood being the benchmark for “good cinema” catering to the English-spe...

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The King & I!

Inspired by the buzz of his film Pathan, which is crazily gripping media, Monojit Lahiri goes back to 1989, New Delhi whe...

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FLASHBACK TO FORWARD

Today Aparajita Krishna is under the spell of stories of the past and present of Producer, Director Vinod Pande, Thespian MK R...

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BEGINNINGS

In a flashback interview, Aamir Khan talks to Khalid Mohamed about the pleasures and pains of acting.

Making Fraaandship with Nupur Asthana

Aparajita Krishna explores love, relationships, friendships, feminism and more in the interview with writer, director Nupur As...

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The Indian ‘New Wave’ for the Millennial

Even though I use a lot of close ups, “Once upon a time, long, long ago…” should be the tone and tenor of this account from ...

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A mutiny or a plea for independence

As discussions continue, Farrukh Dhondy remembers writing a script for Ketan Mehta - Rani of Jhansi, which was hijacked of cou...

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Man of Miracles

Khalid Mohamed misses the wonder director Manmohan Desai, whose ultimate ode to secularism, Amar Akbar Anthony, is such a perf...

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Salim Arif: His Work of Many Parts

It is a daunting task to undertake summarising Salim Arif’s multifaceted talent and work resume in a few pages, writes ...

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Soundscaping with Bishwadeep Chatterjee

Vinta Nanda says, this is one of the most interesting interviews she’s done for The Daily Eye in so far. Welcome to the ...

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