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ADAMYA REVIEW BY SAIBAL CHATTERJEE

Writer-director Ranjan Ghosh’s Adamya (The Unbroken) is nothing short of a marvel, writes critic Saibal Chatterj...

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WOMEN RESISTING POWER IN INDIA

This Women’s Day, Vinta Nanda looks out for women in India resisting food capitalism, environmental destruction ...

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A LAST CALL FOR THE PLANET

In this in-depth conversation with Vinta Nanda, Fr. Kureethadam Joshtrom reflects on ecology as an ethical and spiritu...

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A TEST OF GLOBAL CONSCIENCE

A global outcry rises as the Taliban formalise domestic violence within law, drawing condemnation from Population Foundation of India and activ...

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OSCARS RETURN INDIA ENTRY EMPTY-HANDED AGAIN HOME

India’s 2026 Oscar hopes fade again as its official entry returns home, sparking debate on quality, global positioning, marketing muscle ...

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BOB DYLAN’S IMMIGRANT LAMENT STILL HAUNTS US

In this searing cultural meditation, Khalid Mohamed revisits Bob Dylan’s protest song on migration, lin...

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POWERFUL PEOPLE: A BEAUTIFUL MIND

Veenapani Chawla’s chance encounter with Naseeruddin Shah culminated in the birth of the Adishakti Laboratory for Theatr...

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FESTIVALS: YEAR-END REFLECTION ON FESTIVALS IN INDIA

A year-end reflection on how festivals became classrooms, archives, shelters and movements—through writings by Utpal Datta, Vinta...

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POWERFUL PEOPLE: THAT THING CALLED ACTING

Mita Vasisht, whose career has spanned over four decades of film and web series acting, theatre, documentaries, besides being an educator and a...

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FESTIVALS: QUEER STORIES ILLUMINATE NEW PATHWAYS

A reflection on queer filmmaking, festival curation, and representation at WIFF Mumbai 2025 — read this interview of Sridhar Rang...

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