ALTERNATIVE ENTERTAINMENT: GHATAK, JUNG, BRECHT & PARTITION

In this profound essay, writer and filmmaker Sharad Raj explores how Ritwik Ghatak merged Marxism, Jungian ps...

BOLLYWOOD: FAMILIAR STORIES, FADING CINEMATIC IMPACT

Ah, the age-old tale of twin brothers with identical looks but vastly different values meets film ideas that often originate from a simple spar...

GENDER: EXIT MATASREE...ENTER MOM–KI HOYA??

Once the emotional anchor of Hindi cinema, the quintessential Bollywood mother shaped generations of storytelling with her sacrifice—unti...

ALTERNATIVE ENTERTAINMENT: REALISM OF THE MATERIALISTIC WORLDVIEW

Sharad Raj explores the evolution of realism in Indian cinema, its many forms and structures, and the deviations in its style ...

Revisiting Mani Kaul’s Mini-series Ahmaq

Devdutt Trivedi writes that in Ahmaq, Kaul wanted to underline the symbiotic relationship between Hinduism and Islam.

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Don’t Call her Aunty

Khalid Mohamed finds relief in Masaba Masaba and other fare on the streaming channels currently.

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Whistling Woods International Masterclasses: A Crucial Platform for Students

“WWI provides a crucial platform to students through these weekly masterclasses”, said Subhashish Bhutiani, director of Mukti Bhawan

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An outsider’s look into the conceptual polarity of Schizophrenia and Depression

“The creativity of people on the schizophrenic end of the human continuum is a creativity that springs from the inability to accept the standardized cultural denials ...

Special People Too Have Stories To Tell

Bollywood took sights at social responsibility for children in need of special care with films like Taare Zameen Par, Black, Paa, My Name Is Khan, U Me Aur Hum, etc. even t...