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KALEIDOSCOPE: THE ONE-WAY SHIPS IS A STIRRING DEBUT

A powerful debut, The One-Way Ships unearths the forgotten voices of colonial India’s ayahs—young girls torn from home, na...

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POWERFUL PEOPLE: THE BIG WORLD OF PRAVESH SIPPY

Khalid Mohamed in conversation with Pravesh Sippy on changing lanes from the big-budget films of his father N...

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FESTIVALS: LIVE THE LIFE ABUNDANT “ONE GREEN PLANET”

There was a time when I would jokingly respond to the standard question by the host replying, ”No. I am a strict non-vegetarian&rdqu...

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PAST IS MY MASTER AND EVENING MY DAWN: VINAY SHUKLA

His film-work has been artistically selective and also across-genres, fairly mainstream, writes Aparajita Krishna.

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RUCHI NARAIN: On a creative roller-coaster ride!

Aparajita Krishna visits filmmaker Ruchi Narain’s world this time – a 360 degree roller coaster ride. Enjoy i...

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Crime Drama, Women and Claude Chabrol!

Writes Vandana Kumar, “No one takes you away from one-dimensional morality while trying to fathom his women charact...

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Where Time Stands Still

Novelist and writer, Adithi Rao, pens a tribute to the famed Mount Carmel College of Bangalore, alma mater to Margaret Alva, D...

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Sex, lies and web chats

Khalid Mohamed reviews the widely-lionised Malayalam film C U Soon, Yaara an exhibition of bare chests-‘n’-bespoke...

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Point of View: From Streets to Table

Nothing reflects a culture as its cuisine. Here’s a perspective on India’s food culture....

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Celebrity Circus and Media

Andy Warhol famously said that everyone in the world would be famous for fifteen minutes.

Hyperbole per...

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