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RETROSCOPE: OF MEENA KUMARI & DREAMS OF HOLLYWOOD

Khalid Mohamed’s unpublished conversation with the late Saawan Kumar Tak, who despite his mega-hit movi...

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POWERFUL PEOPLE: THE BIG WORLD OF PRAVESH SIPPY

Khalid Mohamed in conversation with Pravesh Sippy on changing lanes from the big-budget films of his father N...

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POWERFUL PEOPLE: AN EXCLUSIVE CONVERSATION ABOUT HARMONISING CREATIVITY

Working with Dhruv Ghanekar on the background score for my film White Noise (2005), produced by Mozez Singh and Sevy Ali, was a powerful experi...

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Abuli Mamaji is Nikhil Pherwani’s Ahaan

Vinta Nanda writes: For once a film centered on a person differently abled is not about the so-called normally-abled character...

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Hope Factory: Business Ideas For Everyone

Vinta Nanda chats with Tarun Agarwal, author of Hope Factory: Business Ideas For Everyone, about his latest book and other thi...

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What’s next Dr Sandeep Goyal?

The prologue by Sanjay Gupta, Country Manager Google India and introduction by Prasad Sangameshwara, Editor ETBrandEquity.com along with a part...

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Media & Entertainment: Tomorrow is another day

Amit Khanna explains why COVID-19 is undeniably accelerating change in the way we live life and consume entertainment.

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Team ‘Mulk’ at Whistling Woods International

Applauded for his work in films like ‘Dus’, ‘Ra.On...

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Films: Opportunity in the Crisis

In several of my recent articles I have written about the crisis facing Indian film industry, specially Bollywo...

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The General Sexism faced by the Hollywood Women since Ages

“Congratulations, you five ladies no longer have to pretend to be attracted to Harvey Weinstein", said comedian Seth MacFarlane in 2013, introducing the list of best-...

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