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INDIAN DIASPORA CINEMA SHINES GLOBALLY

The ninth India International Film Festival of Boston concluded with 48 films across 12 languages, celebrating independent cinema, Read More

TANMAYA SHEKHAR: REWRITING INDEPENDENT CINEMA

In this exclusive conversation, Vinta Nanda speaks with Tanmaya Shekhar about Nukkad Naatak, a fearless caravan journey across...

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SAATH TERA: POETRY BECOMES SONG

Ahead of Saath Tera’s 24 August release, Vinta Nanda speaks with poet-filmmaker Barnali Ray Shukla about longing, Old Delhi, handwritten memories, an...

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BATWARA 1947 REVIEW: SHABANA AZMI

BATWARA 1947 REVIEW: SHABANA AZMI

Every nation carries within it a wound that hi...

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ANIRBAN: CINEMA BEYOND DEATH'S SILENCE

Forty-five years after its release, Bhabendra Nath Saikia's Anirban remains an overlooked cinematic masterpiece. Utpal Datta explores i...

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MICRO DRAMAS REDEFINE GLOBAL ENTERTAINMENT

India is emerging as the global growth engine for micro dramas and short-form entertainment, with mobile-first audiences, soar...

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A STORY BURIED BENEATH PARTITION'S ASHES

Arnab Banerjee examines Imtiaz Ali's Main Vaapas Aaunga, a poignant Partition-era drama exploring memory, displacemen...

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WAR WITHOUT VICTORY ONLY HUMAN COST

An estimated account of the recent US–Israel–Iran conflict reveals staggering human, economic, and psychological losses, raising ur...

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WAR AND PEACE IN CONFLICT

In an age of shifting power, contested truths, and invisible wars, this reflective essay by Vinta Nanda explores the meanings of war and peace,...

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SAFAR MEIN SHAHAR: CITY AS CHARACTER

Film critic Utpal Datta explores Mazhar Q. Kamran’s Safar Mein Shahar, examining how Mumbai em...

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