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GENDER: WHEN FIDELITY MEETS MODERN DESIRE

Twinkle Khanna’s remark on marriage and infidelity sparked nationwide debate a couple of weeks ago, and Vinta Na...

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TV: TRUTH RISES THROUGH THE DARKNESS

In this review by Monojit Lahiri, a relentless Bengali crime thriller unfolds with raw performances, fearless direction, and a...

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BOLLYWOOD: LOVE, AGE, CHAOS, REPEAT

A witty, uneven yet engaging romantic comedy, De De Pyaar De 2 explores age-gap love with humour, nostalgia, and emotional warmth, del...

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THOUGHT FACTORY: DEATH OF THE WORKING CLASS HERO

Khalid Mohamed analyses the slow disappearance of the working-class protagonist from Hindi cinema, exploring how shifting audi...

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FESTIVALS: THREE DAYS OF UNMISSABLE BRILLIANCE

In its final three days, the Prithvi Theatre Festival surges toward a spectacular finish, offering dance, theatre, storytellin...

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THOUGHT FACTORY: 30 YEARS OF DDLJ & STILL RUNNING

From Eurorail to Sarson Ke Khet: An Ethnography of DDLJ’s Everlasting Romance with India by Yashika Begwani, explores wh...

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RETROSCOPE: MIRACLE AND ‘THE CURSE’ OF JAI SANTOSHI MAA

Khalid Mohamed looks back at 1975, the year of Sholay and the miraculous success of Jai Santoshi Maa and its aftermath — a cinematic cont...

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FESTIVALS: CURTAIN RAISER AT NGMA SETS THE STAGE FOR WIFF MUMBAI 2025

Waterfront Indie Film Festival Mumbai 2025 launched with a curtain raiser at NGMA, celebrating independent cinema with industry leaders, cultur...

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MOVIES: INDIA PREMIERE OF JESUS IN SIGN LANGUAGE

A groundbreaking cinematic milestone, JESUS premieres in India, breaking barriers with American and Indian Sign Language, Hindi dubbing, and En...

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POWERFUL PEOPLE: PREITY ZINTA ON DOING IT HER OWN WAY

Khalid Mohamed’s throwback to a conversation with the iron-willed Preity Zinta, who’s set to return to the movies ...

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