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INDEPENDENT CINEMA FINDS ITS AUDIENCE
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ANIRBAN: CINEMA BEYOND DEATH'S SILENCE
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GOODBYE SHATTERS THE NARRATIVE GRAMMAR
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REBUILDING CONFIDENCE AFTER CAREER BREAKS
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IDENTITY, EXILE, MEMORY AND DEATH
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SUBHASH CHANDRA: THE MAN BEHIND ZEE
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MARATHI MUSICAL THEATRE TAKES CENTRE STAGE
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DINESH RAHEJA’S POETRY OF LONGING
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HOW AIRTEL'S SOUND BUILT IDENTITY
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SLOW CINEMA AGAINST CONSUMED TIME
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EDEN CREEK BENGAL REVIEWED BRILLIANTLY
Prof Dr Avinash Kolhe reviews Eden Creek, Bengal, Kaizaad Kotwal's compelling adaptation of Dwight Watson's American play, exp...
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FLASHBACK & FORWARD
Mahabanoo Mody-Kotwal, Om Katare, Ishitta Arun are performing artists who represent three generations respectively, writes Aparajita Kr...
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WHEN THEATRE MARRIES CINEMA
As I sat watching a CinePlay screening of the play sometimes, in a preview theatre, I was tad perplexed. Am I watching a play or am I watching a movie? Some months back, I ...
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