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ALTERNATIVE ENTERTAINMENT: DOING IT MY WAY

Lately, it’s been raining awards and accolades on the path-breaking multi-media achiever. And she has preserved a child-like persona, ope...

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MOVIES: A STARK MIRROR OF EXPLOITATION

In this powerful review, critic Utpal Datta examines The Untold Agony, revealing how Jayram Waghmode’s ...

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FESTIVALS: FROM BUSAN TO SUNDANCE AND BACK HOME

Indian cinema continues to find new ground on the international stage, as emerging filmmakers and bold regional voices redefine the scope of st...

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Size Matters?

Film historian Dhruv Somani writes on the phenomenon of filmmakers often selecting lengthy film titles.

Renuka Shahane: The Complete Woman

Vinta Nanda is on a rollercoaster ride with Renuka Shahane. The two begin from where the actor...

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Amazing Grace

Film historian, Dhruv Somani, pens the untold story of the playback singer Suman Kalyanpur, who retired from the hurly burly o...

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Amol Palekar - In a flashback that is very present!

I am often visited by Amol Palekar flashbacks, writes Aparajita Krishna

As time passes by...

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Hope and Glory: Asha Bhosle in conversation

Khalid Mohamed talks to the legendary Asha Bhosle this week, about her talent hunt for singers on her YouTube channel, and her...

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Order! Order!

Film historian Dhruv Somani, zooms in on Bollywood&rsqu...

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The Guru: Gautam Rajadhyaksha (1950-2011)

Khalid Mohamed writes on the imperishable legacy of the pioneering photographer of celebrity portraits.