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Thought Factory

THE DAY A NEW INDIA CAME HOME

On October 1, 1992, Zee TV opened a new window for Indian television. Karuna Samtani, Zee’s first employee, remembers its pioneer...

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Bollywood

GOODBYE SHATTERS THE NARRATIVE GRAMMAR

Vinta Nanda discovers in Deeshak Patra’s 18-minute-long At Last We Said Goodbye a fearless new cinematic voice,...

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Powerful People

MIRROR TO A CAUSE: CINEMA OF ANSHUL SINHA

Anshul Sinha’s journey through indie cinema reflects risk and purpose, as his film Million Views attempts to heal a frac...

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Thought Factory

HALF CAULIFLOWER, PIECE OF CAKE

Sharad Raj reflects on everyday encounters in India that reveal deep economic inequality, questioning middle-class complacency...

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Thought Factory

THOUGHT FACTORY: LEGACY, VISION, ART, AND NATION

This article by filmmaker Sharad Raj celebrates Jawahar Lal Nehru’s 126th birth anniversary by reflecting on Nehru&rsquo...

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Festivals

FESTIVALS: INDEPENDENT VOICES RISE IN VERSOVA

Waterfront Indie Film Festival Mumbai 2025 celebrated the spirit of independent storytelling with over 100 films, insightful panels, and master...

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Movies

MOVIES: THE SOULFUL STILLNESS OF PURATAWN

Suman Ghosh’s new film marks the return of Sharmila Tagore to Bengali cinema after a long hiatus. Shantanu Ray Chaudhuri...

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Thought Factory

THOUGHT FACTORY: STARDOM & SPECTACLE IN NAYA BHARAT

In today’s Naya Bharat, actors trade craft for stardom, embracing regressive blockbusters and right-wing narratives, while genuine talent...

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Business and Politics

BUSINESS: HOW INDIAN IS INDIAN ADVERTISING?

As pride, identity and profiling increasingly come into play at the global level, questions will follow: Have we been able to define where Indi...

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Gender

GENDER: WHY INDIAN MEN AVOID HOUSE WORK??

Mammas boys? Traditional/generational conditioning? Lazy? Mardangani? Monojit Lahiri examination controversial question about ...

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