AI & TECHNOLOGY: HOW (IN)HUMAN  IS AI!

Authoritarian governments have multiple tools at their disposal to control social media and suppress free speech, ranging from legal and regula...

TRENDING: POTENT MIX OF RELIGION, POLITICS, MEDIA

Maintaining a clear separation between religion and politics, and sustaining a media free of pressure, is essential for pluralism, democracy, a...

CLOSE TO THE GARDEN OF BROKEN SHADOWS

Humra Quraishi traces the events from 6^th December 1992 to the recently concluded assembly elections, bring to fore...

When Disaster Strikes

Film historian Dhruv Somani re-visits Yash Chopra’s Kaala Patthar (1979), based on the true-life Chasnala coal-mining tr...

SAFELY NAVIGATING THE FOURTH SURGE

Dr Kishore Madhwani responds to questions as cases of COVID-19 have been skyrocketing in the country over the last two weeks.<...

Shakespeare in Bollywood

Shakespeare travels, writes Farrukh Dhondy, in his piece on how well and how not so well the bard’s writing has been ada...

Hrid Majhare: The Bard’s Official ‘Debut’ in Bengali Cinema

In the series on landmark Bengali films post 2000, Shantanu Ray Chaudhuri looks at Ranjan Ghosh’s adaptation of Shakespe...

A Bouquet of Talks

This is a bouquet of assorted fragrances, writes Aparajita Krishna

These are narrations t...

Of Silent Havelis

Ashok Sood’s photo-feature on the gorgeous havelis of Nawalgarh, Rajasthan, which like other tourist hubs of India, will...