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A BEFITTING SWANSONG

This is a very personal response to a unique film experience gifted by The Song of Scorpions, writes Janaky Sreedharan

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ABOUT THE SONG OF SCORPIONS AND IRRFAN

Irrfan Khan’s only real home was cinema, says Anup Singh.

The story of The Song of ...

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PAST IS MY MASTER AND EVENING MY DAWN: VINAY SHUKLA

His film-work has been artistically selective and also across-genres, fairly mainstream, writes Aparajita Krishna.

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Salim Arif: His Work of Many Parts

It is a daunting task to undertake summarising Salim Arif’s multifaceted talent and work resume in a few pages, writes ...

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Patterns of Good Faith

On the occasion of Navroze, the Parsi New Year, a photo-feature by Ashwini Ashok Sood, on the auspicious Parsi Chalk designs Read More

The Storytellers

We live in times fraught with violence when the artiste or performer is either silent or walking on the eggshells of easily hurt sentiments and political vendetta. When it ...

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Cinema’s Daring Ventures

We all want to or have at some point wanted to cast aside the veil that shrouds questions pertaining to sexuality. Put the patriarchal hold on gender along with its ascribe...

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How Toronto International Film Festival Is Planning To Expand Its Global Footprint & Widen Its Focus

Two years ago, after the screening of the Partition drama Qissa at the Toronto International Film Festival (TIFF), Irrfan Khan sat down with his co-stars and director for a...

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MAMI day 2 closes on a high note

If grandeur met art on Day 1, Day 2 of the 15th edition of the Mumbai Film Festival organized by the Mumbai Association of Moving Images (MAMI) and presented by Reliance En...

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