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TRENDING: GAJRA KOTTARY’S STORYTELLING JOURNEY

Gajra Kottary, screenwriter and author, balances the demands of Indian television with profound novels and short stories, challenging social no...

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POWERFUL PEOPLE: FROM CRIME REPORTING TO FICTION

Aditi Mediratta’s journey from crime reporting to becoming a celebrated fiction writer, screenwriter, and novelist, speaks of her creativ...

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POWERFUL PEOPLE: REFLECTIONS ON HOPE AND LEGACY

Humra Quraishi takes a poignant look at the challenges facing today's youth, and the enduring impact of Khushwant Singh, Gulza...

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POLITICS: WHY INDIA MUST QUESTION A DECADE OF FAILED LEADERSHIP

"Why should the people of India continue to vote for a politics that, after ten years in power, has left citizens despairing for basic needs an...

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POWERFUL PEOPLE: THE POET IMPRESSIONIST

On the occasion of the 58th Jnanpith Award for Gulzar saab, Humra Quraishi revisits her friendship with him an...

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A CHAPTER ON KUMAR SHAHANI’S KASBA

Kumar Shahani’s aesthetic sensibilities were shaped while assisting Robert Bresson on Une Femme Douce (A Gentle Woman, 1969). Additionall...

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AUTUMN BLOSSOMS: OF MOTHERHOOD & OTHER RELATIONSHIPS

The 50 stories in this collection, divided into three sections, deal with woman protagonists coping with the vagaries of relationships with men...

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MUDIT SINGHAL: EXPOSING DISCRIMINATORY PRACTICES

‘Yes Sir’ is among the best of South Asian films selected for screening at the Tasveer South Asian Film Festival, to be held in Sea...

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ARDH SATYA: TRAPPED IN A LABYRINTH OF DECEPTION

O.P. Srivastava travels back in time to reflect on Govind Nihalani’s Ardh Satya (Half Truth) written by Vijay Tendulkar,...

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MANI KAUL’S ICONOCLASTIC USKI ROTI

This film is a juxtaposition of slow-moving close-ups and wide shots layered with lots of silence and interspersed with a few monotonous dialog...

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