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AI, CREATIVITY AND PURPOSE UNITE

From AI-powered filmmaking education and innovative talent recruitment to empathy-driven learning for children, three new init...

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PRESENTING LOVE IN AN UNUSUAL ROLE

Monojit Lahiri explores how love, emotion, intimacy, and human connection have evolved from personal values into powerful business tool...

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SHE WHO TOOK INDIAN CINEMA GLOBAL

Producer and global film strategist Gayathiri Guliani speaks to Vinta Nanda about Indian cinema’s international growth, ...

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AN ACTOR PREPARES: ASEEM HATTANGADI

A multi-tasker, he is a theatre, film and web series actor. Son of the celebrated actor Rohini Hattangadi and the late theatre director Jayadev...

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WAR WITHOUT VICTORY ONLY HUMAN COST

An estimated account of the recent US–Israel–Iran conflict reveals staggering human, economic, and psychological losses, raising ur...

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WHY INDIAN TELEVISION IS FAILING

Vinta Nanda examines the sharp decline in Indian television viewership, exposing outdated storytelling, stagnant formats, and ...

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WAR AND PEACE IN CONFLICT

In an age of shifting power, contested truths, and invisible wars, this reflective essay by Vinta Nanda explores the meanings of war and peace,...

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FROM COPY LINES TO CROP LINES: ARTI DWARKADAS

Vinta Nanda speaks to Arti Dwarkadas about her journey from advertising to organic farming, her debut book Two Ban...

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OSCARS RETURN INDIA ENTRY EMPTY-HANDED AGAIN HOME

India’s 2026 Oscar hopes fade again as its official entry returns home, sparking debate on quality, global positioning, marketing muscle ...

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HOUSEFULL WITHOUT AUDIENCES: THE BOX-OFFICE ILLUSION

When marketing noise replaces footfalls and perception trumps participation, Indian cinema risks hollowing itself out. The growing gap between ...

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