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FROM COPY LINES TO CROP LINES: ARTI DWARKADAS

Vinta Nanda speaks to Arti Dwarkadas about her journey from advertising to organic farming, her debut book Two Ban...

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OSCARS RETURN INDIA ENTRY EMPTY-HANDED AGAIN HOME

India’s 2026 Oscar hopes fade again as its official entry returns home, sparking debate on quality, global positioning, marketing muscle ...

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HOUSEFULL WITHOUT AUDIENCES: THE BOX-OFFICE ILLUSION

When marketing noise replaces footfalls and perception trumps participation, Indian cinema risks hollowing itself out. The growing gap between ...

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BUSINESS: MARKETS, MEANING AND MORAL RECKONINGS

A Year Through The Daily Eye: A sweeping reflection on The Daily Eye’s Business writing in 2025, where ...

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AI & TECH: AI IS REWRITING EVERYTHING

AI is rapidly reshaping advertising, design, media planning, PR, and entertainment worldwide. As Bollywood cautiously experiments while global ...

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FESTIVALS: CINEMA ENDURES BECAUSE ARTISTS PERSIST

A powerful three-day gathering in New Delhi explored cinema’s endurance against censorship, showcasing suppressed films, bold conversatio...

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MOVIES: INDIA PREMIERE OF JESUS IN SIGN LANGUAGE

A groundbreaking cinematic milestone, JESUS premieres in India, breaking barriers with American and Indian Sign Language, Hindi dubbing, and En...

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BOLLYWOOD: THE NEW BLOCKBUSTER PHENOMENON

Attention Saiyaaara’s Dazzling Debutantes...Your Time Starts Now!! Monojit Lahiri pulls back in an attempt to focus on a...

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THOUGHT FACTORY: WHY MARRIAGE SCARES YOUNG LOVERS

“Love me?” Like mad! “Marry me?” Mad!! Whatever happened to the pavitra bandhan that symbolised this r...

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FESTIVALS: STORIES FOUND PURPOSE THAT AFTERNOON

On a rain-soaked Mumbai day, WIFF’s Impact Workshop brought together storytellers, changemakers, and filmmakers to explore how films can ...

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