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TIGHTROPE WALK FOR JOURNALISTS IN THE MAINSTREAM

Here, taking off from a few discussions at the Orange City Literature Festival she attended, Vinta Nanda looks at ‘ethic...

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WHEN WILL THE DARK GIVE RISE TO THE MOON?

Humra Quraishi recalls the days of New Delhi’s past when the cultural hub was celebrated by envoys, especially from Arab...

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UGETSU MONOGATARI: THE MIZOGUCHI TREASURE

The cinema of Kenji Mizoguchi glides in and out of people’s lives with fluid grace and exquisite tact, writes Sharad Raj...

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The Caravans Of Movement

Humra Quraishi writes, “The World Refugee day, on the 20th of June, is not too far away. It’s time for ...

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This Distance

Humra Quraishi talks about the senselessness of war and its impact on the lives of helpless people – she questions the p...

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‘The Poetic Minimalism’ of Abbas Kiarostami

 Abbas Kiarostami (1940-2016) is unarguably the most known face of Iran on the map of World cinema, writes Vandan...

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When men change and repent: Cinema of Kenji Mizoguchi

Men are at loose ends without women to enslave, to desire, to abandon. Sharad Raj explores why the director is forgiving of th...

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Faces of Rajasthan

Khalid Mohamed in conversation with photographer Chandan Das on his tryst with photography and other creative arts.

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COVID-19: What it means to Business - Part 2

In continuation of a three part series on COVID Survival Guide for businesses, especially small businesses/ startups by Alok Jagdhari <...

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Soha Ali Khan Speaks At FICCI On Women Empowerment

Summary: Education brings in security for the women and the more it is widespread, women will become more secured," "We try to adjust ourselves as per our convenience and f...

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