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FESTIVALS: A JOYOUS LITERARY AFFAIR AT THE OCLF

From powerful panel discussions to heartfelt readings and candid conversations, the Orange City Literature Festival in Nagpur celebrated litera...

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GENDER: A VOICE OF DEFIANCE AND REFLECTION

A bold poetic manifesto of defiance, Urban Naxal Biwi captures the anguish of modern India and challenges gender norms through Pratibh...

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TRENDING: A POLITICIAN WITH BOLLYWOOD GRACE

In a time of global tensions, Shatrughan Sinha’s dignified presence at his daughter Sonakshi’s wedding contrasts sharply with his p...

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THOUGHT FACTORY: DISSENT IS A DIFFICULT PATH

All about the FTII protest against Gajendra Chauhan's appointment led by the students, including Payal Kapadia who has brought pride to the cou...

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ART HOUSE: THINKING ABOUT JAANE BHI DO YAARO

Jaane Bhi Do Yaaro (Just Let It Go, Friends) is a 1983 black comedy directed by Kundan Shah and produced by the NFDC. It is a satire on bureauc...

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पानइंडिया (PaanIndia!)

The history of Paan has mythological as well as historical and Ayurvedic references, writes Aparajita Krishna.

THE ADDA OF GANGA VIHAR!

Aparajita Krishna dives deep to the not so long history of Ganga Vihar and what it holds together as a past unimaginable and r...

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THE ADDA OF GANGA VIHAR!

Aparajita Krishna dives deep to the not so long history of Ganga Vihar and what it holds together as a past unimaginable and r...

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MAHABALI: M. K. Raina’s Theatre!

Aparajita Krishna reviews the latest MK Raina play Mahabali and discusses its significance to these times when a distorted int...

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IMMORTAL ACTS OF AMJAD KHAN

Aparajita Krishna asks commentators, including his wife Shehla Khan, son Shadaab Khan and daughter Ahlam Khan Karachiwala...

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