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HOUSEFULL WITHOUT AUDIENCES: THE BOX-OFFICE ILLUSION

When marketing noise replaces footfalls and perception trumps participation, Indian cinema risks hollowing itself out. The growing gap between ...

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HEALTH: WHEN CANCER GETS PERSONAL

As cancer treatment continues to rely on averages and probabilities, a breakthrough approach using live tumor profiling promises to per...

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GENDER: CHAI AND LOVE MEET ON STAGE

In this intimate column, Vinta Nanda writes about The Chai Queens, its emotional homecoming to Mumbai, and how theatr...

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RETROSCOPE: LOOKING BACK AT WHAT ENDURES

A year of remembrance and resistance, where Khalid Mohamed, Monojit Lahiri, Shantanu Ray Chaudhuri, Devdutt Trivedi, Utpal Datta and Sa...

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FESTIVALS: YEAR-END REFLECTION ON FESTIVALS IN INDIA

A year-end reflection on how festivals became classrooms, archives, shelters and movements—through writings by Utpal Datta, Vinta...

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TRENDING: A YEAR THAT CHOSE MEANING OVER NOISE

2025 was a year when activism, cinema and conversations around music quietly—but decisively—shaped what truly mattered. At The ...

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KALEIDOSCOPE 2025: WINDOWS INTO A PLURAL IMAGINATION

Across cinema, literature, art, theatre, reportage, pedagogy, and memory, Kaleidoscope 2025 charted The Daily Eye’s comm...

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GENDER: GENDER | AUTONOMY | 2025 IN REFLECTION

From homes and heartbreaks to cinema, solitude, queer identity and evolving desire, The Daily Eye’s 2025 gender discourse Read More

RETROSCOPE: FLASHBACKING WITH....CHAUDVIN KA CHAND!!

Monojit Lahiri met up with the still-gorgeous Waheeda Rehman at her sea-front flat in Bandra’s Bandstand in Mumbai aroun...

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THOUGHT FACTORY: DEATH OF THE WORKING CLASS HERO

Khalid Mohamed analyses the slow disappearance of the working-class protagonist from Hindi cinema, exploring how shifting audi...

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