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BATWARA 1947 REVIEW: SHABANA AZMI

BATWARA 1947 REVIEW: SHABANA AZMI

Every nation carries within it a wound that hi...

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IAA LEADERSHIP AWARDS HONOUR ICONS

IAA Leadership Awards 2026 brought together India’s leading business, advertising, media and creative voices, celebratin...

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INDEPENDENT CINEMA FINDS ITS AUDIENCE

At WIFF 2025, Kabeer Khurana, Deepa Gahlot and Siddharth Kak examined independent cinema, technology, exhibition, audiences an...

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ANIRBAN: CINEMA BEYOND DEATH'S SILENCE

Forty-five years after its release, Bhabendra Nath Saikia's Anirban remains an overlooked cinematic masterpiece. Utpal Datta explores i...

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GOODBYE SHATTERS THE NARRATIVE GRAMMAR

Vinta Nanda discovers in Deeshak Patra’s 18-minute-long At Last We Said Goodbye a fearless new cinematic voice,...

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MAX, MIN, MEOWZAKI: LOVE, LOSS AND A CAT

Saibal Chatterjee reviews Max, Min and Meowzaki, a warm, perceptive exploration of love, grief, family, friendship and healing...

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DESIGNING SPACES THAT FEEL HUMAN

Arnab Banerjee profiles designer Tasha Singh, whose inventive practice bridges Indian craftsmanship and contemporary thinking,...

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THIRTEEN DAYS WHEN HUMANITY HELD

At an intimate Mumbai screening of Martin Bourboulon’s 13 Days, 13 Nights, the fall of Kabul became more than history re...

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WHEN CLAY BECOMES LIVING POETRY

Arnab Banerjee finds out how Poettery founders Anubir Singh and Bhavana transformed handcrafted ceramics into a philosophy of ...

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THE LAST LANGUAGE OF DEMOCRACY

As Sonam Wangchuk's fast enters its twentieth day, this essay examines hunger strikes worldwide, democratic dissent, capitalis...

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