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KALA GHODA ARTS FESTIVAL 2026: AHEAD OF CURVE

Mumbai’s iconic Kala Ghoda Arts Festival returns for its 26th edition, transforming public spaces into ...

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JIMMY SHERGILL: A CLASS ACT, ALWAYS

An intimate, insightful portrait of Jimmy Shergill—an actor of rare restraint and integrity—by Khalid Moha...

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GENDER: CHAI AND LOVE MEET ON STAGE

In this intimate column, Vinta Nanda writes about The Chai Queens, its emotional homecoming to Mumbai, and how theatr...

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GENDER: LIVING ALONE, FINDING INNER STRENGTH

AkelaNest by Aparajita Krishna: A reflective, deeply personal exploration of single living and ageing in India today, AkelaNes...

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ALTERNATIVE ENTERTAINMENT: WHEN PHANTOM INDIA WAS GHOSTED

Khalid Mohamed assesses the now accessible 1969 documentary, Phantom India, helmed by the French auteur Malle, which had been ...

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THOUGHT FACTORY: CREATION BEGINS WHERE OPINION ENDS

Art is born from surrender, not control. While opinions about art come from privilege and position, creation emerges from vulnerability and courage — it&rsq...

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RETROSCOPE: THIRTY YEARS AFTER...TIME FLIES

  Khalid Mohamed revisits Bandit Queen (1994), Shekhar Kapur’s film on the dacoit leader Phoo...

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POWERFUL PEOPLE: THE BIG WORLD OF PRAVESH SIPPY

Khalid Mohamed in conversation with Pravesh Sippy on changing lanes from the big-budget films of his father N...

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ALTERNATIVE ENTERTAINMENT: SHIKWA JAWAB-E-SHIKWA

François Truffaut’s Les Mistons provokes Gen Z discomfort and deepens the filmmaker's responsibility—raising timele...

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KALEIDOSCOPE: BOLLYWOOD MOVIES WERE MY TEACHERS

A personal journey from street performances and film posters to poetic storytelling, Utpal Datta traces how an unexpected ques...

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