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TRENDING: THE QUIET POWER OF COSTUMES

Costume designer Pia Benegal reflects on why her craft remains invisible, how clothes shape character and narrative, and why a...

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The Cover Girls

Even as the print medium is in a quandary, Khalid Mohamed selects his all-time top 12 Cover Girls of film magazines.

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Touch of Class

As Dimple Kapadia’s birthday approaches on June 8, film historian Dhruv Somani tracks how she has made strong fashion st...

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Scent of a Killer

Film historian Dhruv Somani, revisits Rajesh Khanna’s slasher film Red Rose, which was a flop on its release in 1980 but...

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The Poetry of the Quotidian of Aki Kaurismäki

Vandana Kumar writes, “To think of Finnish cinema, is to think of Aki Kaurismäki. Apparently, this perception isn&r...

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Salim Arif: His Work of Many Parts

It is a daunting task to undertake summarising Salim Arif’s multifaceted talent and work resume in a few pages, writes ...

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The End of a New Beginning

Sandeep Goyal says that the one thing he has never understood about TikTok is – why does...

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The Master: Soumitra Chatterjee on Satyajit Ray

Even under the uncertainty facing the world at large, following the outbreak of Covid-19, a valiant bid is on in Kolkata to celebrate the cente...

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Gift of the garb

Meet Sonam Dubal, a fashion designer of New Delhi, who won’t sacrifice his happiness to become an A-lister

CELEBRATE CINEMA 2019

Mumbai, September 23, 2019: Jubilance, enthusiasm and festive fervour prevailed over the last two days at Whistling Woods International (WWI), ...

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