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MAHABALI: M. K. Raina’s Theatre!

Aparajita Krishna reviews the latest MK Raina play Mahabali and discusses its significance to these times when a distorted int...

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SOHAILA KAPUR: The Person & Her Legacy!

Sohaila Kapur belongs to a very rooted and empowered artistic and cultural legacy. She has, in her individual way, made her own space, writes <...

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Nidravatwam: Between sleep and wakefulness

Janaky Sreedharan believes Nidravatwam was a brilliant initiation into the language and aesthetics of theater conceptualized b...

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Should fireworks be banned?

The pollution caused by firecrackers this Diwali still hangs in the air and it has made breathing difficult for many. Monarose Sheila P...

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A Woman of Letters

“I am reading Amartya Sen’s book nowadays”, says a sprightly young voice at the other end of my telephone line: Janak...

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Echoes of 'Black Lives Matter' in India

The unrest, the carnage, the protests that shook Trump’s America a few weeks ago, seems to be echoing in India too - though the tremors a...

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Festivals coming up in the beginning of 2019

Every country in the world has its own festival and celebration. Festivals are a great way to experience the local culture and tradition. Sometimes they even offer a glimps...

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After 1000 Cr Mahabharata, Ramayana To Be Adapted For Silver Screen With 500 Cr Budget

It was earlier reported that a UAE-based Indian businessman is investing Rs 1,000 crore to produce the cinematic adaptation of The Mahabharata. The film, based on the class...

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It Is Sita’s Story, Not Rama’s That Is Told By Women In Karnataka’s Villages.

Dressed in a deep green sari bordered by red and gold, with the seragu (pallu) tucked in at the waist so she could sit comfortably and move unhindered, Sanntimmi sat alone ...

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