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THIRTEEN DAYS WHEN HUMANITY HELD

At an intimate Mumbai screening of Martin Bourboulon’s 13 Days, 13 Nights, the fall of Kabul became more than history re...

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CINEMA THAT BREATHES IN STILLNESS

An evocative evening of French and German short films in Mumbai explores stillness, abstraction, and instinctive storytelling, as filmm...

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THAT CLOSE ENCOUNTER WITH FRANCOIS TRUFFAUT

Khalid Mohamed rewinds way back to 1977 to a face-to--face conversation with Francois Truffaut, one of the ma...

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ALTERNATIVE ENTERTAINMENT: FROM THE BY-LANES OF OUR YOUTH

A nostalgic reflection on François Truffaut’s Les Mistons, by Vandana Kumar, tracing cinematic memories,...

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POWERFUL PEOPLE: ADIL HUSSAIN SPEAKING...!

A candid conversation with Adil Hussain, exploring his journey from Assam to global cinema, balancing art and commerce, and hi...

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Childhood, Holocaust and the Cinema of Louis Malle

Louis Malle’s semi-autobiographical 1987 film ‘Au revoir les enfants’ or ‘Goodbye, Children’ belongs to this rare...

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Crime Drama, Women and Claude Chabrol!

Writes Vandana Kumar, “No one takes you away from one-dimensional morality while trying to fathom his women charact...

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Claude Chabrol and The Poetics of Murder

My first exposure to the ‘French New Wave’, La Nouvelle Vague, was through Claude Chabrol’s Violette Nozière (1978). M...

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Half a lifetime: Rahul Vohra

It’s a dress-circle view that Vinta Nanda brings,...

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The Hairdresser’s Husband: Too Much of a Good Thing?

Vandana Kumar explores how a film like The Hairdresser’s Husband starts as a man’s...

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