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KALEIDOSCOPE 2025: WINDOWS INTO A PLURAL IMAGINATION

Across cinema, literature, art, theatre, reportage, pedagogy, and memory, Kaleidoscope 2025 charted The Daily Eye’s comm...

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THOUGHT FACTORY: RECLAIMING SHOORPANAKHA, REWRITING EPIC SILENCE

What becomes of a mutilated woman? In her solo piece Shoorpanakha: A Search, Parshathy J Nath reclaims a silenced voi...

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KALEIDOSCOPE: TO A TEACHER WITH LOVE & MUCH MORE…

A rich festschrift honouring Prof. GJV Prasad, celebrating his transformative impact on English literary studies in India through essays spanni...

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ALTERNATIVE ENTERTAINMENT: ILLUMINATING CINEMA 2024

Exploring the art, narratives of cinema celebrated by The Daily Eye, showcasing alternative cinema, legacies and impactful storytelling that ch...

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ALTERNATIVE ENTERTAINMENT: REVISITING A REEL MOTHER

Kaviyoor Ponnamma’s nuanced portrayals of motherhood reflected the complex realities of Kerala's changing society, going beyond stereotyp...

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A BEFITTING SWANSONG

This is a very personal response to a unique film experience gifted by The Song of Scorpions, writes Janaky Sreedharan

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'Bust'ing many a myth: B 32 Muthal to 44 Vare (B 32 to 44)

Janaky Sreedharan asks, “How do we talk about a film that foregrounds the bust sizes of human beings ranging from B 32 t...

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Whose Wedding Is It Anyway?

What is between recent popular Malayalam flicks and the wedding eve ceremonies in the bride’s house, asks...

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Nidravatwam: Between sleep and wakefulness

Janaky Sreedharan believes Nidravatwam was a brilliant initiation into the language and aesthetics of theater conceptualized b...

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Why a Statue of Netaji now?

Subhashini Ali explains why the statue of Netaji will not transform the Prime Minister into an inheritor of the legacy of the ...

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