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CANNES 2026 REVIEW: ELEPHANTS IN THE FOG

CANNES 2026 REVIEW: ELEPHANTS IN THE FOG

The Elephant in the Room – and Bey...

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HUSAIN’S JOURNEY THROUGH HIS MUSES

That Search For A Muse: M.F. Husain’s Lifelong Quest for Inspiration: Khalid Mohamed writes on the litt...

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RED, BLUE, GREEN, YELLOW, BLACK AND WHITE

In a social media world teeming with every banality that goes for poetry, Prerna Gill’s is a refreshing voice that does not pander to eas...

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‘The Poetic Minimalism’ of Abbas Kiarostami

 Abbas Kiarostami (1940-2016) is unarguably the most known face of Iran on the map of World cinema, writes Vandan...

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Oh, those snakes and ladders

Khalid Mohamed reviews the politics-as-usual drama Madam Chief Minister, is brain-boggled by Qubool Hai 2.0 and finds sol...

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Gas-lighting: The News Normal

Vinta Nanda analyzes the news media as it stands today and what it can achieve for its mass audiences if it so chooses to do.<...

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The Day Before Today: Lockdown Stories by Gayatri Gill

The Day Before Today is Gayatri Gill’s debut novel.

She is a producer, scriptwriter...

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Harvest Festivals celebrated across the Country

In today’s world, there is so much of monotony and pressure in everyone’s life that every once in a while, we all want to escape fr...

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Home and Heart

Reading Barbara Kingsolver’s Unsheltered, the thought that passes through the mind is: there but for the grace of...

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The Himalayan Superwomen: Midwives of Pakistan act as Life-savers

In Pakistan, for every 100,000 babies born, some 260 women die during childbirth. The country is one of 11 countries that comprised 65 per...

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