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Chann Pardesi: Reuniting with the cult-classic

Aparajita Krishna writes, Chann Pardesi would be a stranger to the young cine-goer, India 2020, including the young diaspora g...

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Order! Order!

Film historian Dhruv Somani, zooms in on Bollywood&rsqu...

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Framed: Film Editor Ballu Saluja

Aparajita Krishna, writer and filmmaker, profiles the much accomplished editor Ballu Saluja in...

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Our Tarzans: Bollywood’s romance with the Lord of the Jungle

Film historian, Dhruv Somani, tracks down the unusual repertoire of desi Tarzan movies, which once used to delight Indian audi...

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Snake Bites: Bollywood’s Naagins

Film historian Dhruv Somani takes stock of the Naagin and Naag movies, which have crowded the Bollywood repertoire for decades...

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Rishi Kapoor: He defined ‘Bollywood Art’

 

I write this tribute to Rishi Kapoor. A legend, a hero, the actor unparalleled and a person who was...

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Kalpana Lajmi - As I knew her

Lalita Lajmi, Kalpana’s mother, called me on the 4th of September 2018, and asked me to help her with writing Kalpana’s speech, whi...

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Goodbye Shashi Kapoor

One of the brightest stars of our industry now resides in heaven, I guess it is God's turn to say "Mere Paas Shashi Kapoor hai".

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Anupam Kher’s ‘People’- Lights, Camera, Candour!

Anupam Kher’s ‘People’ is a tiny window or an admirable kinetophone into the lives of our favorite celebrities- be it yesteryear or still rocking- earmark...

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Jaane Bhi Do Yaaro

Comedy, for some odd reason, has not been a favourite genre for Indian film makers. There is a marked preference for sentimental romances, love stories, family melodrama, g...

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