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POWERFUL PEOPLE: BACK TO THE FUTURE

She has been an assistant director, ad filmmaker and a writer-director of out-of-the-box feature films. Ignoring every mandatory obstacle that ...

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POWERFUL PEOPLE: THAT THING CALLED ACTING

Mita Vasisht, whose career has spanned over four decades of film and web series acting, theatre, documentaries, besides being an educator and a...

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FESTIVALS: CINEMA ENDURES BECAUSE ARTISTS PERSIST

A powerful three-day gathering in New Delhi explored cinema’s endurance against censorship, showcasing suppressed films, bold conversatio...

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ALTERNATIVE ENTERTAINMENT: WHEN PHANTOM INDIA WAS GHOSTED

Khalid Mohamed assesses the now accessible 1969 documentary, Phantom India, helmed by the French auteur Malle, which had been ...

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THOUGHT FACTORY: FILMS. AUDIENCES. FILM CRITICS.

India, the world’s largest film-producing nation, thrives on cinema and media, yet its film critics remain undervalued. Monojit Lahiri investigates t...

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FESTIVALS: ARE THE NATIONAL AWARDS LOSING THEIR WAY?

Once upon a time the most glamorous, eagerly-awaited and coveted award was Filmfare founded in 1954, but today the National Awards’ credi...

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BUSINESS: SAMEER NAIR’S MASTERSTROKE

In a bold leap into global fiction, Applause Entertainment acquires rights to six Jeffrey Archer bestsellers, reimagining them for the screen f...

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RETROSCOPE: WHEN MELODY WAS KING

His lovingly built bungalow, Ashiana, on the Bandra seafront has survived the encroachments of real-estate sharks of sky-high towers. And despi...

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TRENDING: PRIDE COMBATS PREJUDICE

Khalid Mohamed assesses a clutch of shorts and feature films on same-gender sexuality and transgender lives, released on strea...

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POWERFUL PEOPLE: THE BIG WORLD OF PRAVESH SIPPY

Khalid Mohamed in conversation with Pravesh Sippy on changing lanes from the big-budget films of his father N...

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