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Signs of the time: No light in dark times
Humra Quraishi addresses the politically exploitative atmosphere in Uttar Pradesh as assembly elections come closer and the rising communal tensions that are growing with it. ...
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Times of Indian Politics
Farrukh Dhondy makes an attempt to understand Indian Politics in context to the self-imploding ideology of Hindutva In the last decade of the last century Britain’s Lab...
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Mirror, Mirror on the Wall
In Agnès Varda’s 1962 film Cléo from 5 to 7 (French title Cléo de 5 à 7), a vain pop singer Cléo (Corinne Marchand) has two hours...
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The Hazards of Adaptation: Chimamanda Ngozi Adichie
Ranjan Das focuses on the challenges that confront filmmakers when adapting vast and expansive authored works, by placing Half of a Yellow Sun by Chimamanda Ngozi Adichie in p...
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Bigotry threatens India’s Constitution
To defend India, we must protect the idea of India as Mahatma Gandhi, Sardar Vallabhai Patel, and BR Ambedkar envisioned it, writes SN Sahu None of these stalwarts of th...
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An anthem and counter-anthems: Pyaasa
This was written during the years, to be precise 2017, when playing the national anthem before movies was mandatory in halls, writes Juhi Saklani An auditorium, about three q...
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Assamese story about a Transman wins Film Grant
And, actress Renuka Shahane offers Rs.50,000 each to the other four shortlisted scripts, reports The Daily Eye Newsdesk The 12th edition of KASHISH Mumbai International Queer...
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Signs of the time: Silencing the past
Humra Quraishi writes about Jallianwala Bagh, the tragic memories it holds, and the recent renovations made that have snatched away the history of the place meant for future g...
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The Art of Ramkinkar Baij
Modern Indian sculpture as we know it began with Ramkinkar Baij. Shantanu Ray Chaudhuri looks at the works and legacy of a pioneer. ‘He reflected the vibrancy of local ...
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A Fragmented Sky
Through her memories, Farah Diba Israfil encapsulates the pre-and-post-COVID eras, the recent and the deep past of Indian culture and its present. My nanna carried her paanda...
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