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Shot by Shot: Politics of photography
Young photographer Vatsal Shah writes on the obstacles in the way of becoming a professional photographer in India Theories about photography can be broad generalisations or ...
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Save Crawford Market
Khalid Mohamed pleads for the restoration of the past glory of the centuries-old market, a part of which was gutted in a fire this month. To think of Mumbai without Crawford ...
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Anwesha Arya: The Miracle Woman
In times when many of Bollywood boys and girls are under the scanner, Vinta Nanda interviews Anwesha Arya – granddaughter of Bimal Roy, daughter of Basu Bhattacharya and...
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Reincarnation: Bollywood’s affair with rebirth
Film historian Dhruv Somani gives you a lowdown on the reincarnation films, some of which clicked majorly, while others nosedived Today the subject is reincarnation, wh...
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Tara Kaushal: Why Men Rape
Vinta Nanda interviews author Tara Kaushal, on the eve of the release of her book Why Men Rape: An Indian Undercover Investigation. I know Tara Kaushal by a recent frie...
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As the neem tree fell… The delivery boy came up!
Humra Quraishi tells the story of Zeb... a young unemployed boy, who gave birth to his new job… It was a stormy and turbulent night but we had contin...
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The Indian Artist Book of Colour
Teesta Bhandare talks about how this book seeks to help cope with the stress exacerbated by an unforeseen pandemic, especially at a time when mental health has rightly entered...
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Nepotism: Advertising Industry better or Bollywood?
Sandeep Goyal gives you a view to the nepotism, which mocks at as much talent in the Advertising Industry of India as it does Bollywood. The media has been raving ...
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Applause: In conversation with Saiyami Kher
Khalid Mohamed in a frankspeak with Saiyami Kher, who has made a huge impact with her performance as a housemaker-cum-bank employee in the Netflix film Choked. At this very m...
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No Entry: Hazards in staging a theatre play in Mumbai
Khalid Mohamed recounts his peril-fraught, one-off experience in staging ‘Kennedy Bridge’, a play on yesteryear’s courtesans. All the world’s a stage;...
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