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Alternative Entertainment
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Abuli Mamaji is Nikhil Pherwani’s Ahaan
Vinta Nanda writes: For once a film centered on a person differently abled is not about the so-called normally-abled characters being the ones to make life better for him. Ah...
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In Conversation with Uttara Baokar
I’m sharing parts of a conversation with path-making, veteran theatre actor who was ideal to generations of theatre-citizens, writes Aparajita Krishna Her work o...
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Where art thou?
Khalid Mohamed in conversation about the limitless forms of art with the 23-year-old artist, Adyot Rajadhyaksha, who debuted at a group show at the Jehangir Art gallery last w...
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Call of the Valley
A photo-essay by Ashis Ghatak: On the placid side of Kashmir and its infallibly hospitable mountain folk. I wonder why stories of Kashmir carry along with them some invariabl...
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The apotheosis of the new wave: Jules et Jim
Godard’s Breathless and Truffaut’s Jules et Jim are the cornerstones of one of cinema’s most influential movements ever, writes Sharad Raj The great f...
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Review: Searching for ‘Happiness’
Originating from a conversation with his seven-year-old daughter, Suman Ghosh’s new film is an ode to the city of Kolkata, writes Shantanu Ray Chaudhuri A Google...
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Exploring the Darker Side
After watching a couple of her films, Vandana Kumar believes, that it couldn’t be merely a coincidence that Isabelle Huppert plays morally ambiguous characters. This le...
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Journey of a Passionate Tale-Spinner
Janaky Sreedharan presents Nabanita Deshmukh, a storyteller who follows a unique process to engage with children. The last I saw her was in Jawaharlal Nehru University, New D...
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The Austere Ascetic
Sharad Raj visits the 1983 French film L’Argent (Money) and deconstructs the genius of the filmmaker Robert Bresson. Jean Luc Goddard once said, “Robert Bre...
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Give peace a chance
Khalid Mohamed in conversation with the eminent filmmaker and documentarist Ramesh Sharma on his new feature-length documentary, AHIMSA: Gandhi – The Power of the Powerl...
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