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RAMAYANA NEEDS MORE EMOTIONAL DEPTH
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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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EK HAAN BRINGS MANTO ALIVE
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DIWALI IS SERVED WITH LOVE
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AI, ART AND THE HUMAN RIGHT TO CREATE
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Search ResultREIMAGINING MENTAL HEALTH THROUGH COMPASSION
In this deeply personal conversation, Vinta Nanda speaks with Sachin Chaudhry about mental health, emotional resilience, AI, e...
Read MoreFEARLESS NADIA’S HUNTERWALI FILM PHENOMENON
Film historian and Proffessor Piyush Roy revisits Hunterwali (1935), the groundbreaking Wadia Movietone stunt classic...
Read MoreHOLLYWOOD: DESTINIES AND CULTURAL IDENTITIES
A reflective meditation on love, migration, memory, and cultural identity, this deeply personal reading of Past Lives (2023) by Vandana...
Read MoreALTERNATIVE ENTERTAINMENT: GHATAK, JUNG, BRECHT & PARTITION
In this profound essay, writer and filmmaker Sharad Raj explores how Ritwik Ghatak merged Marxism, Jungian ps...
Read MoreFESTIVAL: V-DAY-ISHQBAAZI…OR DRAMABAAZI??!
Monojit Lahiri checks out if the just-ended V Day is a magical way of looking at a glorious celebration, or is it a power...
Read MoreBUSINESS: HOW INDIAN IS INDIAN ADVERTISING?
As pride, identity and profiling increasingly come into play at the global level, questions will follow: Have we been able to define where Indi...
Read MoreGENDER: WHY INDIAN MEN AVOID HOUSE WORK??
Mammas boys? Traditional/generational conditioning? Lazy? Mardangani? Monojit Lahiri examination controversial question about ...
Read MoreTHOUGHT FACTORY: THE ALPHA PUP
"Decoding Kids' Pester Power: Exploring Their Influence on Consumer Decisions and the Challenges for Marketers in a Digital Era." Monoj...
Read MoreTHOUGHT FACTORY: DEPICTION OF CHILD ABUSE IN CINEMA
Courageous storytellers daringly illuminate the darkness of child abuse, igniting conversations long overdue. Through their lens, they challeng...
Read MoreTRENDING: MASCULINITY AND MANIPULATIONS DOMINATE
Films were never meant to be a medium to express hate against women, religion, community, or dissenting voices. Lately, however, Indian films a...
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