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KALEIDOSCOPE 2025: WINDOWS INTO A PLURAL IMAGINATION

Across cinema, literature, art, theatre, reportage, pedagogy, and memory, Kaleidoscope 2025 charted The Daily Eye’s comm...

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BUSINESS: MARKETS, MEANING AND MORAL RECKONINGS

A Year Through The Daily Eye: A sweeping reflection on The Daily Eye’s Business writing in 2025, where ...

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BUSINESS: REFLECTIONS OF ADVERTISING’S MR. BHARAT!

From Kolkata’s colonial hangover to the rise of brand Bharat, this reflection, by Monojit Lahiri, celebrates Piyush Pand...

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KALEIDOSCOPE: THE ONE-WAY SHIPS IS A STIRRING DEBUT

A powerful debut, The One-Way Ships unearths the forgotten voices of colonial India’s ayahs—young girls torn from home, na...

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THOUGHT FACTORY: STILL TELLING STORIES, STILL SHUT OUT

While women actors over 40 are reclaiming space on screen, the Indian film industry continues to marginalize women creators—writers, dire...

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BOLLYWOOD: MANOJ BAJPAYEE’S BATTLE WITH BOLLYWOOD

"Directors can't think of me in rich guy roles," says Manoj Bajpayee. Monojit Lahri examines the implications of this statemen...

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GENDER: STORIES OF POWER AND PERSISTENCE 2024

Exploring gender through culture, cinema, and politics, The Daily Eye reflects on a year of powerful stories that challenge stereotype...

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TRENDING: THE GREAT REDEVELOPMENT BONANZA & FASCISM

Mumbai’s redevelopment and how urban transformation drives class divides, social segregation, and fascist tendencies, widening inequaliti...

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POLITICS: THE BRUTALITY OF BULLDOZING HOMES

"A stark exploration of the systemic bias and brutality in India’s use of bulldozing homes, revealing the deep-seated political and relig...

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TRENDING: PATRIOTISM FOR PROFIT & ELECTION ADS

Is nothing sacred in today's media landscape, dominated by relentless election advertising, wonders Monojit Lahiri. He explore...

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