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FESTIVALS: ARE THE NATIONAL AWARDS LOSING THEIR WAY?

Once upon a time the most glamorous, eagerly-awaited and coveted award was Filmfare founded in 1954, but today the National Awards’ credi...

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FESTIVALS: FUTURE AND LEGACY OF INDIAN CINEMA

A Bold New Chapter: SCREEN Academy Fellowship Empowers Young Filmmakers. From nurturing emerging voices to restoring timeless ...

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MOVIES: BALANCING ART, RECOGNITION & RESPONSIBILITY

Recognizing directors as the artistic visionaries behind cinema, Utpal Datta advocates for their official acknowledgment in fi...

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ALTERNATIVE ENTERTAINMENT: 50 YEARS OF GARM HAWA

On Balraj Sahni’s birth anniversary, Shantanu Ray Chaudhuri looks at the lasting legacy of Garm Hawa, which celebrates i...

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THE MITTI KI SONDHI KHUSBHOO SMELLS OF BLOOD

The tragic and horrifying details coming from Manipur remind Shabnam Hashmi about Gujarat 2002. Wasn’t it predictable th...

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KEECHAR VERSUS GULAL

Satyabrata Ghosh analyses the following words spoken by the Prime Minister of India in parliament: “Keechar uskey paas t...

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Bengali Cinema: A Middle Way to Tread

Satyabrata Ghosh explores the cinema of West Bengal to conclude how the median between art and commerce exists and has been of...

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The Filmmaker And The Feminist

Vinta Nanda chats with Rinki Roy Bhattacharya, one of the first feminists, a woman greatly respected by the entire fraternity ...

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Scent of a Killer

Film historian Dhruv Somani, revisits Rajesh Khanna’s slasher film Red Rose, which was a flop on its release in 1980 but...

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That Mughal Touch

Film historian Dhruv Somani, catches up with Akbar Khan, for a conversation about the actor-producer-director’s yesterda...

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