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MOVIES: MODERN FILM ABOUT TRADITIONAL ART

Utpal Datta visits the heartfelt journey of traditional Ramleela in an urban setting, captures the essence of cultural transfo...

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ARDH SATYA: TRAPPED IN A LABYRINTH OF DECEPTION

O.P. Srivastava travels back in time to reflect on Govind Nihalani’s Ardh Satya (Half Truth) written by Vijay Tendulkar,...

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पानइंडिया (PaanIndia!)

The history of Paan has mythological as well as historical and Ayurvedic references, writes Aparajita Krishna.

A MAN EXTRAORDINAIRE: ARUNBHAI GANDHI

She worked with him for twenty years and he remained a friend till his last days. Saroj Satija remembers Arun Gandhi in this t...

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CAN SRK RETURN AS KING KHAN WITH PATHAN?

Monojit Lahiri investigates if in this era of the ‘larger-than-life’, SRK is perceived as a yesterday’s star...

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Double Whammy

Film historian Dhruv Somani writes on Bollywood’s fascination for double role movies, down the decades.

Our Godpapas

Khalid Mohamed takes stock of the ongoing influence of Francis Ford Coppola’s mafia don classic, The Godfather, on India...

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50 years of "The Godfather"

The Corleone’s and the poetry of Crime is what Sharad Raj examines after watching The Godfather for the nth time on the ...

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Roti Bank Foundation: Fighting Hunger

Kulsum Mustafa writes on D Sivanandan’s relentless efforts towards ending hunger and also has a chat with him about his ...

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Solace in Solitude

Khalid Mohamed expresses his gratitude for the abiding presence of the therapeutic voice of Lata Mangeshkar during the anxiety...

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