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TWO POWERFUL THEATRE REFLECTIONS

Sohaila Kapur reflects on two compelling theatre experiences — the experimental student production Rashk and th...

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MIRROR TO A CAUSE: CINEMA OF ANSHUL SINHA

Anshul Sinha’s journey through indie cinema reflects risk and purpose, as his film Million Views attempts to heal a frac...

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STUDENT CITY PART 1

A sharp, evocative campus romance unfolds in The Daily Eye’s Kaleidoscope section, as Prof Dr Piyush Roy’s compelling ficti...

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IFFD 2026 OPENS GLOBAL DIALOGUES

IFFD 2026 - A Festival of Dialogue, Discovery and Global Exchange: With Oliver Laxe’s Sirât opening and S...

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STORIES TRAVEL FROM PAGE TO SCREEN

The Waterfront Indie Film Festival (WIFF) Mumbai launches its literature vertical with a two-day programme at SOCIAL V...

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MUMBAI DESIGNER WINS KASHISH POSTER

Mumbai-based designer Pari Nirmal wins the KASHISH 2026 International Poster Design Contest, bringing the festival’s the...

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HALF CAULIFLOWER, PIECE OF CAKE

Sharad Raj reflects on everyday encounters in India that reveal deep economic inequality, questioning middle-class complacency...

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WHEN INDEPENDENT FILMS FIND THEIR AUDIENCE

From festival screenings to public platforms, WIFF Mumbai celebrates a defining moment as its films travel wider. Vinta Nanda reflects ...

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WHY ARCHIVING CINEMA MATTERS: NEVILLE TULI

A wide-ranging conversation on archives, cinema, and cultural consciousness, where interviewer Vinta Nanda engages Nev...

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POWERFUL PEOPLE: A BEAUTIFUL MIND

Veenapani Chawla’s chance encounter with Naseeruddin Shah culminated in the birth of the Adishakti Laboratory for Theatr...

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