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TRENDING: SUPPORT INDEPENDENT JOURNALISM KEEP AUTHENTIC STORIES ALIVE

Support Independent Voices: Help The Daily Eye Grow from Print to Film and Continue Amplifying Authentic Stories in a...

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THOUGHT FACTORY: A CAR FOR MR. CHATTERJEE!

An unforgettable encounter: How selling our Ambassador car led to an evening with Bengali cinema legend Soumitra Chatterjee. Vandana Ku...

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STRAW DOGS: POETICS OF VIOLENCE OR MISOGYNY?

Based on a novel by Gordon Williams – ‘The Siege of Trencher’s Farm’, it was also my first exposure and my starting poi...

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I WOULDN’T HAVE IT ANY OTHER WAY!

Vinta Nanda explores the making of a poet, reaching nowhere obviously, because ‘if we knew what makes a poet, everyone w...

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Childhood, Holocaust and the Cinema of Louis Malle

Louis Malle’s semi-autobiographical 1987 film ‘Au revoir les enfants’ or ‘Goodbye, Children’ belongs to this rare...

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Lenses, Women & Trauma

Cinema from Israel has been getting a lot more recognition globally – in terms of prestigious awards and academic courses revolving aroun...

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Crime Drama, Women and Claude Chabrol!

Writes Vandana Kumar, “No one takes you away from one-dimensional morality while trying to fathom his women charact...

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His own terms: Sharad Raj

Ek Betuka Aadmi Ki Afrah Raatein is now streaming on Eventscape Vod Platform. Vinta Nanda has a chat with director Sha...

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Claude Chabrol and The Poetics of Murder

My first exposure to the ‘French New Wave’, La Nouvelle Vague, was through Claude Chabrol’s Violette Nozière (1978). M...

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‘The Poetic Minimalism’ of Abbas Kiarostami

 Abbas Kiarostami (1940-2016) is unarguably the most known face of Iran on the map of World cinema, writes Vandan...

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