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THEATRE AND THE POWER OF INCLUSION

The World’s A Stage And We, The Performers: Sohaila Kapur interviews Anirudh Nair on theatre, Shakespeare, social privilege and B...

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EK HAAN BRINGS MANTO ALIVE

Manto in Pakistan by Prof Dr Avinash Kolhe: A review of Ek Haan, the Hindi-Urdu play that brings Saadat Hasan Manto’s wit, writin...

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SANJIB SABHAPANDIT: PURPOSE-DRIVEN CINEMA

Sanjib Sabhapandit is in conversation with Utpal Datta about Assamese cinema, purpose-driven filmmaking, cultural identity, audience re...

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WOMEN FILM THEIR OWN LIVES

Prof. Dr. Avinash Kolhe reflects on Mast Mahila Mandali, the remarkable documentary co-created by ten working-class women from Mumbai,<...

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PRABHAKAR KOLTE’S ABSTRACT ART PHILOSOPHY

At Chemould Prescott Road, Prof. Dr. Avinash Kolhe examines Prabhakar Kolte’s Asymmetrical Synthesis, exploring abstract...

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DINESH RAHEJA’S POETRY OF LONGING

Radhika Pandey explores Dinesh Raheja’s new poetry collection, ‘अधूरी ख़्...

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SATYADEV DUBEY: THE MAD GENIUS

Playwright, director, actor, mentor, provocateur and iconoclast, Satyadev Dubey transformed Indian theatre through sheer force...

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THROUGH AN EYE CURIOUSLY INTERVIEW

In this insightful conversation, interviewer Khalid Mohamed engages photographer Chirodeep Chaudhuri on visual storytelling, B...

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EMOTIONAL INTELLIGENCE AND THE HUMAN FACTOR

Writer Ranjan Das Gupta reflects on emotional intelligence as a human, ethical and social force. Drawing from personal experie...

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BOB DYLAN’S IMMIGRANT LAMENT STILL HAUNTS US

In this searing cultural meditation, Khalid Mohamed revisits Bob Dylan’s protest song on migration, lin...

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