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FESTIVALS: THE KHUSHWANT SINGH LITERARY FESTIVAL OF KASAULI

I had a conversation with Rahul Singh, to know the significance of the Khushwant Singh Literary Festival, writes Vinta Nanda. ...

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THE ADDA OF GANGA VIHAR!

Aparajita Krishna dives deep to the not so long history of Ganga Vihar and what it holds together as a past unimaginable and r...

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THE ADDA OF GANGA VIHAR!

Aparajita Krishna dives deep to the not so long history of Ganga Vihar and what it holds together as a past unimaginable and r...

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FIFTY YEARS AFTER GARM HAVA

Garm Hava (1974) is undoubtedly the best Indian film to capture the pain of Partition that swept the Indian subcontinent, writes O.P. Srivastav...

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HIDAYAT SAMI: Spotlighted!

It’s Hidayat Sami who Aparajita Krishna meets today to explore his vast repertoire as an actor, director, light-designer...

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Mein hoon PIO!

Farrukh Dhondy observes Indian media in foreign countries and the hype it creates over events there, however, concluding that ...

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She loved Cinema: Pamela Rooks

Humra Quraishi revisits the life and times of Pamela Rooks. And, her films, Miss Beatty’s Children and Train to Pakistan...

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To the story I was born

Aparajita Krishna plunges into her rich past, where there is a paean to her left leaning parents who inhabited India’s r...

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Hitting the Mainstream Notes

Inspired by the successful limited theatrical release of the film 'Evening Shadows' in India on January 11th where several of the show...

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Bombay Old Fashioned benefits the Light of Life Trust

Back in the Nineties, before Bollywood became mainstream and took over every aspect of our lives, TV channels l...

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