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India’s Disowned: Pataal Lok

In her review of the newly dropped series on OTT platform Amazon Prime Paatal Lok, Reema Moudgil writes that the images haunt because they remind us of som...

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The Revolutionary

Khalid Mohamed looks back at the film legacy of the Bengal auteur, on the day of Mrinal Sen’s 97th birth anniversary today.

There’s a r...

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Across the Border: Mammo

Khalid Mohamed recalls how he wrote the real-life story and screenplay of the National Award-winning film, Mammo, now accessible on YouTube and...

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Farewell Mrs Gulshan Ewing

Left: Gulshan Ewing with Danny Kaye and Right: with Cary Grant 

Khalid Mohamed pays tribute to Mrs Gulsh...

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Who wants to be a Millionaire? – Vinod Pande

We think we know them well. However, when you venture out to ask them questions you thought you had all the answers for, like I did, you discov...

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Those Magnificent Women and their Flying Machines

The more you want to know Mini Vaid the more there is to her that remains unknown. An author, filmmaker, journalist and television reporter...

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Jon Stewart was Television Gold

Citizens all over the world would do well to follow his parting advice, “If you smell something, say something.” ...

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RIP Journalism

‘The vast wasteland of TV is not interested in producing a better mousetrap but in producing a worse mouse.’ -- Laurence C...

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A pioneer, a frontierswoman at heart: Presenting Anupama Mandloi

One of the most significant outcomes of my having started The Daily Eye, which is an online publication specifically targeted to conte...

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A CUT above the rest…

My friendship with her is deep.

She's a feminist and the most expressive among most whom I know.

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