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Salim Arif: His Work of Many Parts

It is a daunting task to undertake summarising Salim Arif’s multifaceted talent and work resume in a few pages, writes ...

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Let the music play on…

Musicians and singers share their stories about how they’re coping during lockdown, with Monarose Sheila Pereira.

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Practise Propriety: CINTAA to Indian Television News Media

The Cine and TV Artists Association (CINTAA) is upset over the objectionable way that a section of Indian Television News Media is characterizi...

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The Glad and the Sad

Even as COVID-19 spikes on, the film soundtracks of yesteryear offer some solace and relief. Khalid Mohamed writes on the vast...

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Kill kill, bang bang

Khalid Mohamed reviews  the cop flick Class of ’83 and more fare streaming on the channels currently.

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Pivotal, Not Seminal: Indian Matchmaking

Since its release a couple of weeks back, Indian Matchmaking, has raced to the top of the charts for Netflix in India, writes Dr Sandee...

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Khushwant Singh: Salaam to the Sardaar

Humra Quraishi writes about the many conversations she had with Sardaar Khushwant Singh. 

Framed: Film Editor Ballu Saluja

Aparajita Krishna, writer and filmmaker, profiles the much accomplished editor Ballu Saluja in...

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On Manto’s 108th birth anniversary

“The more I sit thinking of Manto’s genius, I recall  my  meeting his grandnephew Abid Hasan Minto, in  New Delhi&rd...

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A Muslim in Bollywood

The mainstream Hindi film industry’s template for the community reflects ideological and political shifts in contemporary India.

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