Chann Pardesi: Reuniting with the cult-classic

Aparajita Krishna writes, Chann Pardesi would be a stranger to the young cine-goer, India 2020, including the young diaspora g...

Mind Your Language: Vidya Balan on how to get the ps and qs right

Khalid Mohamed frazzled by today’s Bollywood language, talks to Vidya Balan on how she g...

Anwesha Arya: The Miracle Woman

In times when many of Bollywood boys and girls are under the scanner, Vinta Nanda interviews Anwesha Arya &nd...

ART SALUTES WORKERS

Khalid Mohamed writes on the imperative need for Indian artists to express  their strong views on the state of nation und...

Wake up & smell the Propaganda

Liquidity via monetary policy is like blood infusion into a patient admitted for a heart transplant in a near death situation. And fiscal stimu...

Scream!

Dhruv Somani, author of a set of four books A Touch of Evil, selects five horror flicks, which unwittingly went through the crrrrreaky cracks.<...

When the necktie was described in Hindi as Kant-Lungoth

“They were there

You thought- always in your care

But they grew...

Well-behaved women rarely make history

Mona Ambegaonkar is an Indian film and television actress. She has featured in over 15 plays, 18 feature films, 38 T...

Such a curious Journey: Raj More, from mimicry shows to National Award-winning Artist

His artworks are tongue-in-cheek comments – on subjects ranging from demonetisation and political unrest to the vice-like grip of Bollywo...