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Pride in Art to Launch the Vancouver Queer Art Gallery

What is a mark? The Queer Arts Festival ask a simple question. In a settler colonial society, we have a very so...

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Spielberg Knows How to Hit the Nostalgia Bone Just Right

Steven Spielberg is an extraordinary director. For anyone whose actual childhood has been marked by Steven Spie...

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Films: Opportunity in the Crisis

In several of my recent articles I have written about the crisis facing Indian film industry, specially Bollywo...

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Women Open up about Sexuality and Pleasure

In November 2016, Chelsea Beck left her job as an assistant curator at The Broad Museum in downtown Los Angeles...

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Collateral: Wrestling with the Refugee Crisis

Collateral is an avant-garde approach to storytelling. The narr...

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Can we save the Northern White Rhino from Extinction?

The story of our interaction with the northern white rhino is one of the conservation movement’s saddest ...

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All the World’s a Stage, Not in Mumbai Theatre at Least

Frankly, theatre didn’t prove to be that long-cherished platform to tell a story which was of some value to me – a story about a pre-teen boy who was saved from...

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Simple Compassion for the Dying: Lessons from Palliative Care Providers

Dr. M. R. Rajagopal, a leading advocate of palliative care, known as India’s “Father of Palliative ...

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Experiments with Storytelling: Meet Anuraadha Tewari

In a freewheeling conversation, Anuraadha Tewari, scree...

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Alexa & Katie: Humour, Hopes and Teen Hijinks

How we wish Disney never kiboshed dishing out our zany, colourful teen shows that happily painted the stories of an exuberant iconoclastic g...

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