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Amol Palekar - In a flashback that is very present!

I am often visited by Amol Palekar flashbacks, writes Aparajita Krishna

As time passes by...

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Gold for SHOPS Plus’ ‘50 Shades of ISHQ’

USAID’s flagship project in private sector health, Sustaining Health Outcomes through the Private Sector (SHOPS) Plus in India won gold i...

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The truth about Lies

One of the most defining images of our times is that of Prime Minister Narendra Modiji inaugurating the Atal Tunnel, writes Vinta Nanda...

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Salim Arif: His Work of Many Parts

It is a daunting task to undertake summarising Salim Arif’s multifaceted talent and work resume in a few pages, writes ...

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Self Indulgence to Self Discovery

Bhooma Sundararajan writes, that boredom and inaction sets in when one has a lot of empty time...

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Similar strokes

Call it a coincidence or plain copycatting. Film historian, Dhruv Somani, writes on the curious clashes between Bollywood film...

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Of Fearless Art

Khalid Mohamed in conversation with Bangalore’s iconoclastic artist, Pushpamala N,  famous for her photo-romances o...

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A Ringside View of Circus

Janaky Sreedharan writes that to read a book on circus is, in a way, to revisit our childhood - to recall the color, joy and a...

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The Glad and the Sad

Even as COVID-19 spikes on, the film soundtracks of yesteryear offer some solace and relief. Khalid Mohamed writes on the vast...

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Zen and the art of Sanjay Chhel

Vinta Nanda goes on a roller coaster ride with Writer, Director, Artist, Lyricist, Columnist a...

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