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Copy-right-Copy-wrong

Veena Bakshi reveals the flawed system by which our Indian entertainment universe operates; where copyrights holders may as we...

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In Exile: The last years of M.F. Husain

Khalid Mohamed rewinds to an interview with M.F. Husain, the peerless artist, who had to spend his end-years jet-hopping betwe...

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Guns & Roses: Bollywood’s Dacoit Women

Film historian Dhruv Somani reminds you of the time when women characters wouldn’t take nonsense from the Thakur potenta...

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Snake Bites: Bollywood’s Naagins

Film historian Dhruv Somani takes stock of the Naagin and Naag movies, which have crowded the Bollywood repertoire for decades...

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Politically Left Handed: Subhashini Ali

Vinta Nanda chats with Subhashini Ali about why after a long time and now in the times of COVID-19, when all other politics se...

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Kashmir Valley’s Rafeeqa Khatoon

I had no choice but to walk on. But the weight of the apple stuffed bag was getting on my nerves, writes Humra Quraishi&n...

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Mr and Mrs Inn

After what seemed an hour, the rain fury finally gave way to just about a drizzle. Not letting the puddles coming in way, I rushed towards the ...

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Gift of the garb

Meet Sonam Dubal, a fashion designer of New Delhi, who won’t sacrifice his happiness to become an A-lister

When the necktie was described in Hindi as Kant-Lungoth

“They were there

You thought- always in your care

But they grew...

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Of human bondage: National award-winning photo-journalist’s S.L. Shanth Kumar’s believe-it-or-not real-life story

He snagged this year’s National Award for the Best Professional Photographer on the theme of Women-led Development. Right now, he’s...

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