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The Glad and the Sad

Even as COVID-19 spikes on, the film soundtracks of yesteryear offer some solace and relief. Khalid Mohamed writes on the vast...

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Brush with controversy

Khalid Mohamed recalls the needless controversy stirred up by a M.F.Husain artwork of Lord Ganesha, although his canvases, lim...

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To the story I was born

Aparajita Krishna plunges into her rich past, where there is a paean to her left leaning parents who inhabited India’s r...

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The Forever Story: Protima Gauri (Bedi)

Humra  Quraishi writes that Protima Bedi, was the quintessential modern Indian woman who had once written her own destiny...

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Return of the Migrant Worker

Approximately 30 lakhs migrant workers have returned to Mumbai to earn a daily living, out of sheer helplessness, writes Khalid Mohamed...

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Vyjayantimala: At the confluence of politics, gender and art

Humra  Quraishi recalls a meeting with Vyjayantimala Bali and shares excerpts from an interview she did with her way back...

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Sudden Impact: In Conversation with Harsh Chhaya

Khalid Mohamed interviews Harsh Chhaya, whose performance as a despotic Papaji in the series U...

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Over my dead body

Aroona Bhat decodes the last breath; the many times people inhale and exhale before they take it. She figures, that life&rsquo...

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Those Placid Waters

Humra  Quraishi tells another heartbreaking shortstory, set in Kashmir, where the blur between who is the enemy and who i...

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Grannies, Groins & Growing up: Sonnets from Early Memories

The experiences in Farrukh Dhondy's childhood that formed the man are worked into a collection of sonnets that are fun, charmi...

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