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Winds of Change in Uttar Pradesh

Subhashini Ali analyses the political scenario in Uttar Pradesh, soon going to elections, and finds that the winds of change seem imminent.

Fast-mo...

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Women in Cinema Collective: A Work In Progress

“An actress was a person who could never own herself,” writes Janaky Sreedharan in her piece about the role played...

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When Atul Met the Movies

Khalid Mohamed in conversation with India’s prime, contemporary artist, Atul Dodiya, on his unbreakable bond with art an...

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Our Film Festivals: Tamashas or reality checks

Monojit Lahiri investigates whether our film festivals are arty time-pass or educative game changers.  <...

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Shifting Paradigms: Malayalam Cinema

Malayalam Cinema has evolved through time, writes Sulochana Ram Mohan. To use a cliché change has been the only constant in Malayalam ci...

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Shakespeare in Bollywood

Shakespeare travels, writes Farrukh Dhondy, in his piece on how well and how not so well the bard’s writing has been ada...

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A Faust for Bangladesh

Farrukh Dhondy at his best as he recounts the attempt he once made to adapt Goethe’s Faust for the Bangladeshi screen. Read More

Of Human Shields and Human Rights

In light of recent events in Srinagar’s Hyderpora in Kashmir, where it is alleged that civilians were used as human shields, Humr...

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A mutiny or a plea for independence

As discussions continue, Farrukh Dhondy remembers writing a script for Ketan Mehta - Rani of Jhansi, which was hijacked of cou...

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EXIT: T-20 WORLD CUP MADNESS! RE-ENTER: HUSBAND!!

Monojit Lahiri records the hilarious lamentations of a World Cup Widow, just married, with the hubby clean bowled by the Dadim...

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