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Whose Bollywood is it anyway?

Vinta Nanda disagrees with Kangana Ranaut’s rants on national television, which cleverly camouflage political mischief.<...

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To the story I was born

Aparajita Krishna plunges into her rich past, where there is a paean to her left leaning parents who inhabited India’s r...

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The Forever Story: Protima Gauri (Bedi)

Humra  Quraishi writes that Protima Bedi, was the quintessential modern Indian woman who had once written her own destiny...

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Chann Pardesi: Reuniting with the cult-classic

Aparajita Krishna writes, Chann Pardesi would be a stranger to the young cine-goer, India 2020, including the young diaspora g...

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The End of a New Beginning

Sandeep Goyal says that the one thing he has never understood about TikTok is – why does...

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A Dream Run for Kalyani

Janaky Sreedharan writes about J.Geetha’s debut venture Run Kalyani, which is set to be the opening film at the New York...

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Labour, Rights, Disaster and Capitalism

The global pandemic crisis gripping the world currently has claimed over a quarter of a million lives. It has decimated livelihoods and incomes...

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Invisible – A Photo Essay

Photography: SL Shanth Kumar

India is home to 5 million sanitation workers - who ...

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Witchy Brew

In common usage, the word chudail describes an aggressive or quarrelsome woman—could be said to be the Indian equivalent of bitch.  ...

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“Everyone has a right to access quality healthcare” - WHO

The World Health Organization has sponsored for the key topic of concern at a global medicine forum in South Africa stating that developing cou...

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