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RAMAYANA NEEDS MORE EMOTIONAL DEPTH
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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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AAKHRI RIDE: MUMBAI AFTER DARK
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EK HAAN BRINGS MANTO ALIVE
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AI, ART AND THE HUMAN RIGHT TO CREATE
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Search ResultDivya Dutta: Actor-Star In Her Sky!
Aparajita Krishna meets Divya Dutta and explores her career, the journey of an inimitable actor, a powerful woman and an optim...
Read MoreThe Poetry of the Quotidian of Aki Kaurismäki
Vandana Kumar writes, “To think of Finnish cinema, is to think of Aki Kaurismäki. Apparently, this perception isn&r...
Read MoreShakespeare in Bollywood
Shakespeare travels, writes Farrukh Dhondy, in his piece on how well and how not so well the bard’s writing has been ada...
Read MoreOf Human Shields and Human Rights
In light of recent events in Srinagar’s Hyderpora in Kashmir, where it is alleged that civilians were used as human shields, Humr...
Read MoreA mutiny or a plea for independence
As discussions continue, Farrukh Dhondy remembers writing a script for Ketan Mehta - Rani of Jhansi, which was hijacked of cou...
Read MoreIn the land of the capitalists
‘Battleship Potemkin’ was premiered at the historic Bolshoi Theatre auditorium in Moscow on December 21, 1925, writes Monis...
Read MoreGame Changer, Marketer, Entertainer, Interpreter: The Film Critic
Monojit Lahiri investigates through the incisive commentary of critics as well as filmmakers, what film reviews and film criti...
Read MoreDisillusionment to anger: A tale of two Vijays
It’s the week of two ‘Vijays’, Guru Dutt and Amitabh Bachchan - the former is remembered on his death anniversary and the lat...
Read MoreWidening the Definition of Literature with Bob Dylan
The word ‘literature’ in a dictionary covers many genres of achievement and is the generic name for many sins, writes Farrukh Dhondy. Neverthel...
Read MoreHrid Majhare: The Bard’s Official ‘Debut’ in Bengali Cinema
In the series on landmark Bengali films post 2000, Shantanu Ray Chaudhuri looks at Ranjan Ghosh’s adaptation of Shakespe...
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