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RAMAYANA NEEDS MORE EMOTIONAL DEPTH
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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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EK HAAN BRINGS MANTO ALIVE
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AI, ART AND THE HUMAN RIGHT TO CREATE
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Search ResultMusic Knows No Caste
After garnering critical acclaim and winning the FIPRESCI Award at the Bangladesh International Film Festival 2022, Bangladeshi filmmaker Shabn...
Read MoreA Sip of Georgia
Vandana Kumar reminisces about her visit to Georgia where she discovered that it is the country where wine originated. Unlike in France, which has a tradit...
Read More100 years of Sayed Haider Raza
Teesta Bhandare explores the art of Raza through the lens of the global avant garde.
On F...
Read MoreThe Simran Magic
Khalid Mohamed zooms back in time to share his discussion with Kajol, on her imperishable performance as Simran, with Shah Ruk...
Read MoreAbanindranath Tagore: The enigmatic original who wrote art and painted words
The founder of the Indian Society of Oriental Art, Abanindranath Tagore’s work defies any straightjacketing, writes Shantanu Ray ...
Read MoreVikrant Massey: Stardom Wishes this Actor
Aparajita Krishna has a nice long conversation with actor Vikrant Massey – about his growing up years and his evolution ...
Read MoreDouble standards… all the way!
Humra Quraishi goes over the many events of recent past in which it is getting clearer by the day that the discrimination agai...
Read More‘The Poetic Minimalism’ of Abbas Kiarostami
Abbas Kiarostami (1940-2016) is unarguably the most known face of Iran on the map of World cinema, writes Vandan...
Read MoreThe Indian Screen: Myth and Reality
Farrukh Dhondy traces the evolution of Indian storytelling from early days, when stories travelled by word-of-mouth, to now, a...
Read MoreThe Hazards of Adaptation: Chimamanda Ngozi Adichie
Ranjan Das focuses on the challenges that confront filmmakers when adapting vast and expansive authored works, by placing Half...
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